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Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Friday, August 1, 2025

One Summer in Provence, in conversation with Carol Drinkwater

French Village Diaries One Summer in Provence in conversation with Carol Drinkwater
Carol Drinkwater, One Summer in Provence
(image provided by Carol Drinkwater)


I am delighted to welcome actress and writer Carol Drinkwater to the blog today. I’ve long been a fan of her writing, both her fiction books and her Olive Farm memoirs, so it is with great excitement that I can help her share her latest release, ONE SUMMER IN PROVENCE. This book is set on a vineyard in the majestic Esterel region of the south of France and Carol was gracious enough to answer some questions about the characters, their vineyard and what we can expect from this book. 

A bit about Carol:

Carol Drinkwater is a multi-award winning actress and writer, possibly best known for her portrayal of Helen Herriot in the BBC’s original television series, All Creatures Great and Small.

Carol is the author of twenty-four books, both fiction and non-fiction. She has achieved bestselling status - over a million copies sold worldwide - with her much-loved quartet of memoirs set on her Olive Farm in the south of France, The Olive Farm series. 

Carol's fascination with the olive tree extended to a seventeen-month solo Mediterranean journey in search of the tree's mythical secrets. The resulting, bestselling travel books, The Olive Route and The Olive Tree, were adapted into a five-part documentary film series, which has been screened all over the world.

Carol’s novels include THE FORGOTTEN SUMMERTHE LOST GIRL which was one of LoveReading’s Books of the Year 2017.  THE HOUSE ON THE EDGE OF THE CLIFF published in May 2019. AN ACT OF LOVE published early 2021.

In 2022/23, Channel 5 in the UK screened a six-part series titled CAROL DRINKWATER’S SECRET PROVENCE. It is still being screened worldwide, garnering millions of viewers internationally.

Carol’s latest novel, ONE SUMMER IN PROVENCE, was published by Corvus Atlantic on 3rd July 2025.

 

French Village Diaries One Summer in Provence in conversation with Carol Drinkwater
One Summer in Provence by Carol Drinkwater


Depending on the time of day, may I suggest you pour yourselves a coffee or a glass of wine, then settle down in a comfy spot to enjoy a taster of summer, in a vineyard, in Provence. 

In your latest novel, One Summer in Provence, Les Roches du Soleil is the unexpected vineyard home to ex-London couple, Dominic and Celia. Can you tell us a bit more about them and how they came to be living in the south of France, making wine?

Celia spent her childhood and youth in a small town near Bristol. She left for London when she was twenty to study to become an actress at drama school. Some years later, she met Dominic when they were both working on a television play written by Dominic. They married soon after and built successful careers in the worlds of television and theatre. They lived in Primrose Hill. Had it not been for an unexpected setback in their fortunes, they would probably never have considered the move to France. Certainly, Dominic would not have uprooted. But one of Life’s twists and unforeseen changes of direction pushed them to Provence. Celia’s parents were the proprietors of a vineyard in the south of France. It was her father’s dream to own his own patch of French wine-growing territory. He was an early ex-pat, (before Peter Mayle and the wave of foreigners who headed to Provence!) After Celia’s parents had both died, she inherited the estate. The inheritance, due to the couple’s troubles in London, (which we only learn about later in the story) proved to be timely.

From just the first few chapters, I easily slipped into life on the vineyard and certainly wanted to read more about how Celia’s son turning up was going to play out. 

I am delighted to read, Jacqui, that the narrative drive of the story gripped you early on. That is so important. Thank you. Yes, the arrival of the man who claims to be Celia’s son, along with his unlikely travelling companion, does set the story rolling in new and unexpected directions.

The vineyard is in the Esterel area, with its particular red, rocky landscape. For those of us not lucky enough to be there, can you describe what is so special about this coastline for us?

As you say the earth, which is ancient volcanic land, is dark rusty-red in colour.  Gorgeous, rich. It’s really very striking. And it does make for unusual wine-growing. Like all this Med coast area, as you move inland it very quickly becomes dramatic because it is set in the foothills of the Lower Alps.

Soil is important for vine growing, does the Esterel soil make a good wine? If so, I hope you had a chilled bottle to hand to celebrate One Summer in Provence’s publication day.

This area is not one of France’s more famous and highly-esteemed regions for growing wines. However, that is slowly changing. There are some very fine wines being produced in the Var area (where this novel is set) and they are not only the famous rosés. Excellent dark ruby reds too and light crisp whites.

I find that in a well-researched novel, the setting/location becomes one of the characters, how important do you think it is to an engaging read?

Location, for me as a writer, is always an essential element. We are impacted by our surroundings. I am deeply rooted in nature and need to put my writing fingers in the soil, as it were. I was partially brought up on a farm in Ireland and so the rituals of crop production, feeding, nurturing, are in my DNA, I think. I agree with you that location can be a character in a novel. Location with some dramatic weather changes have quite an important role to play in this story.

Although vineyard life was never their plan, it seemed that there was something about life on the land and the changing seasons that spoke to Dominic and Celia. Was this a bit of south of France magic and can you relate?

Never underestimate the magic and lure of this part of the world! PACA (Provence-Alpes-Côte d’Azur) offers myriad different faces. It can be lush and poetically beautiful; it can be stark and rugged especially further inland; it can be buzzing with life and elegance for the tourist trade. It is fecund, almost everything grows here and nature’s abundance is very attractive, almost addictive. If I were Dominic or Celia and I had inherited this lovely old vineyard, I would have stayed on too!


French Village Diaries One Summer in Provence in conversation with Carol Drinkwater
Carol Drinkwater on her olive farm
(image provided by Carol Drinkwater)


As you are as at home on the land in the south of France as Celia and Dominic, what is your favourite season on your olive farm?

Every season has its secrets and its gifts. These days, as the heat becomes more intense, I find that summer can be too hot for me, but there is never a day when I wish I was living in another country. France, the Côte d’Azur, is one of the loveliest places on earth. I consider myself immensely fortunate.

Can you describe a typical summers day for Celia and Dominic, to give us all a taste of life at Les Roches du Soleil?

Well, they are landowners and land workers so their days would include being out in the vineyards. Sometimes working long hours. Late summer - September - is grape harvesting season, which is a time of group activity - extra causal labour is employed to pick - and important decisions about when to pick the fruit clusters are made. There is a science to that. Communal lunches are enjoyed out in the fields, at the edge of the vineyards. I know from our own olive harvests, when we have many friends to stay to help us bring in the olives and get them to the mill for pressing, how engaged everyone becomes. It’s very exciting. Friends, or in Celia and Dom’s case, hired hands, all become invested in the outcome. The desire for the finest produce, fruits harvested with love and care. 

These are traditions that go back to the Middle East thousands of years ago.

You can’t write about France and not include delicious food and wine. Are there any of your favourite French summer dishes that make an appearance in the book?

When Celia and Dominic discuss the menu for the grand weekend party, I was salivating as I made the choices for that section of the novel. Lamb cooked over a fire outside seasoned with a generous sprinkling of freshly-grown Provençal herbs. Home-grown veggies, wines to accompany each step of the occasion, each dish. I had great fun with this part of the storytelling. Someone said to me that they gained weight just reading it!

As well as the vineyard, will we get to visit any other Provençal gems alongside Celia and Dominic?

Aside from a couple of scenes set in Cannes - I don’t want to say too much here! - the novel is predominantly centred at their vineyard.

Henri, Celia and Dominic’s gardener with his chickens, accordion and vegetable garden was one of the characters who put a smile on my face. Was there one character in the book whose story shouted louder than the others to be told?

Each character is my best friend while I am writing about them and creating them. I love Henri because he is such a gracious old man, carrying his personal sorrows with dignity and because he loves and tends bees!

What do you hope your readers will remember most at the end of the novel?

Love and family are where you find and welcome them. 

Thank you, Carol, for taking the time to answer my questions. I was hooked from the first few chapters and will be sharing my review soon. 

The novel has many twists and turns, plenty of mystery and readers are saying it is a page-turner. I hope it sweeps you away to a magical setting even if events take several unexpected turns. Please enjoy it, I loved writing this novel. It is intended as a celebration of Provence.

French Village Diaries One Summer in Provence in conversation with Carol Drinkwater
One Summer in Provence by Carol Drinkwater


ONE SUMMER IN PROVENCE is available to buy in all good bookshops. Here are some links to Amazon for the kindle and paperback editions.

Amazon kindle 

Amazon paperback 

French Village Diaries is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.co.uk at no extra cost to you.

Carol has just completed the first leg of her book tour. She will be in both UK and Northern Ireland from September onwards. The dates and events will soon be up on her website, click here for more details




Tuesday, June 27, 2023

Magazine news

French Village Diaries magazine news
La Plume, our village magazine


It has been a while since I’ve blogged, but now we have emerged from our winter funk and life has accelerated to full summer speed, I have lots to share. First up is some magazine news, as I’ve still been writing, even if I have neglected my blog a little.

 

La Plume

Since 2001, our village (of under four hundred people) has had a monthly information magazine that was one of the first things I got involved in when we arrived here back in 2004. It is run entirely by a small group of volunteers who meet each month to decide what to put in, including announcing and reporting on village events, sharing public service information like council meeting minutes and a Mot du Maire (word from the mayor – that we translate into English). 

 

Until recently, my involvement has been to help come up with ideas, translate the important things into English, and once it’s printed, join in with the stapling and distribution around the village. That was until May, when our friend and ex-Maire of the village Gérard, who had done all the editing, page layout and printing, got taken into hospital. Without him at the helm, the future of La Plume looked uncertain, so along with our friend Lesley, Adrian and I put together an emergency edition at the end of May. We are now just about to print a bumper 20-page edition for the summer that will be delivered at the end of the week. How brave of our French friends to entrust our Englishness on their French magazine, but at least we can rely on them to correct any grammatical issues and it’s certainly helping to raise my written French level. Gérard is now back home, but happy to step back and let La Plume continue in our hands. Merci mes amis.

 

The Deux-Sèvres Monthly Magazine

Up until the end of last year, I had been writing a regular 500-word column for The Deux-Sèvres Monthly magazine since 2012, or 121 issues, and under three different owners. It was totally understandable that back in January, Tony and Lynne made the decision to stop the magazine and focus on their health issues, but it was sad to think this part of my writing life was over. 

 

Happily, for all of us Anglophones living in this tucked away gem of west France, a little bit too north to be the real southwest and a little bit too south to be the Loire valley, new owners were found. In March of this year, Kathleen and Chris Butler-Donnelly took on the editorship and have been busy behind the scenes designing a new logo and website, as well as putting together their first edition. The July 2023 issue is back from the printers and ready for delivery at the usual drop offs in supermarkets, bars and restaurants in the Deux-Sèvres. I can’t wait to get my hands on a copy, and from Saturday 1stJuly you will be able to read an online version here. I’m now off to finish my August piece before the deadline this weekend.


 

French Village Diaries magazine news
French Property News July/August 2023


French Property News

Earlier this year I was contacted by a journalist for the UK based magazine French Property News, that we used to subscribe to and devour, over twenty years ago before we made France our home. She wanted to interview me for the My Village feature where someone who has embraced French life shares a little bit about their life.

 

I always enjoy things like this as the questions about where we live, what I do for work etc allow me to stop and think about our life and how it has changed over the years. It is always nice to be reminded about what a fantastic adventure we are on. I am delighted by the full page (p146) article in the July/August edition that is available to buy in the UK now.

 

A link to the blog was included and I’ve already had a lovely email from Monique Jackman who enjoyed reading it and has offered me review copies of her books aimed at getting intermediate French speakers to the next level. This summer more than last, I am feeling frustrated with my level of French as I’d love to be able to wax lyrical about the history of the Château de Javarzay and the themes of our musuem to the French visitors, in the same way I do for the English ones. Monique’s books, along with a training session in French from our local Pays d’art and histoire heritage association, should really help. 


Thursday, July 8, 2021

From the Writing Desk of Ian Moore

French Village Diaries From the Writing Desk of Ian Moore
Author Ian Moore book signing in Waterstones ©Ian Moore

From the writing desk, of Ian Moore

 

Welcome to the French Village Diaries interview feature, From the Writing Desk, where to coincide with the release of Death and Croissants (A Follet Valley Mystery), I am delighted to be (virtually) joining author Ian Moore at his writing desk in France.

 

A bit about Ian

Ian Moore is a stand-up comedian in the UK and a husband, father of three boys, farmhand and chutney-maker in France. He is a mod in both walks of life and most of his time is spent travelling grumpily between the two. He now also runs a B&B in the Loire Valley, from where he has written two memoirs, before turning his pen to fiction.

 

Your writing space

Ian, how important is your desk space to your writing? Is it tidy and well-organised or creatively cluttered? 

 

Ian: It’s a vital space which starts off very tidy and then through the process of writing gets ever more cluttered with post-it notes, unwashed mugs, empty packets of crisps and wine stains!

 

Does your desk have a view? If so, does this inspire you or distract you?

 

Ian: The view is amazing. I can see for miles over the Loire Valley, but the immediate view is of bickering goats, fusspot hens and the horse. It’s calming and stressful at the same time! I work in the morning usually, but the evening view when I’m planning the next day’s writing is so special in the summer. It faces west and if the weather is calm there’s a sunset and quite often hot-air balloons.

 

Do you prefer to work to a deadline, and if so, do you set yourself daily or weekly targets?

 

Ian: I absolutely need a deadline because it means discipline, and I don’t think I could write without that. Like I say, I work in the morning, and I set myself a minimum of 1000 – sometimes it takes an hour, sometimes it takes four!

 

Writing during Covid-19

As a stand-up comedian as well as a writer, the pandemic must have changed so many aspects of your life. Did the sudden lack of traveling give you more focus for your writing or did life in lockdown affect your motivation to write? 

 

Ian: It was actually the change I needed! Health means I can’t travel as much as I used to, and when I say health I mean physical and mental. Travelling is hard! It wasn’t just about motivation though, it was about opportunity. That and hiding in my office to give my wife and children a break.

 

Is there anything you have learned from the past twelve months that you will use in your future writing?

 

Ian: I think the main thing, and I love this, is that rural France can cope with anything. It already has, and will do so again.


 

French Village Diaries From the Writing Desk of Ian Moore
Death and Croissants by Ian Moore


Your latest release

Your latest novel, Death and Croissants (A Follet Valley Mystery) was released on 1st July, can you tell us a bit about the inspiration behind it?

 

Ian: Well, the main character is a middle-aged Englishman who runs a B&B in the Loire Valley. Obviously that was a stroke of inspirational genius and not based on anyone I know! I find running a B&B a bit mundane after 25 years of stand up comedy, so I would invent backstories about the guests… then it hit me! A B&B is the perfect centre for a changing set of characters, the Loire Valley is the perfect setting for a comedy romp. I don’t know why I didn’t think of it before!

 

I thought the characters in Death and Croissants were great fun, were any of them based on people you’ve met since moving to the Loire Valley? 

 

Ian: Not specifically, but there are composites of French character and English expat character in many of them. I adore French rural attitude to life, and I really wanted to capture that affectionately.

 

How would you normally celebrate the release of a new book, and will it be different this year?

 

Ian: Well, I’ve been in the UK for two weeks. I had a launch at The Comedy Store surrounded (safely) by friends, I’ve done over 20 signings in bookshops all over the country and I am – in truth – living my dream. Walking into Foyles on Charing Cross Road or Waterstones in Piccadilly and seeing your book on a stand, with glowing staff reviews is beyond my expectations. At some point, someone will pinch me and I’ll wake up!

 

Life outside of writing

What do you look forward to, when you’ve saved the document and switched off the computer, as your treat at the end of the writing day?

 

Ian: It depends how it’s gone. Sometimes you can be looking forward to the next session of writing, sometimes a pichet of rosé on the terrasse! Either way, clearing the head is important!

 

If I was headed to the Loire Valley for a short break, what do you recommend I include in my itinerary? 

 

Ian: The Chateau de Valençay. A superb architectural delight, wonderful gardens, a great restaurant, an animal park and… (deep breath)… links to the a bankrupt Scotsman swindler and the Panama canal, Napoleon, The Congress of Vienna and a hiding place for Louvre Museum treasures in WW2. Also, the birthplace of profiteroles!

 

Thank you for taking the time out of your writing day to let me join you at your writing desk. 


You can read my review of Death and Croissants here.

 

You can follow Ian on Twitter, Facebook and Instagram and sign up to his podcast series Mustn’t Grumble here. I’ve only recently got into podcasts, but have to say, I’m enjoying this one very much.

 

Ian also runs La Pause: Val de Loire chambre d’hôtes, a B&B in the Loire Valley. You can visit the website here. 

 

You can read my reviews of Ian’s hilarious memoirs about life in France here:

A La Mod

C’est Modnifique

 

You might also enjoy reading my France et Moi interview with Ian here.



Friday, June 4, 2021

From the Writing Desk of Sophie Claire

French Village Diaries From the Writing Desk interview feature Sophie Claire
From the Writing Desk of Sophie Claire


From the writing desk, of Sophie Claire

 

Welcome to the French Village Diaries interview feature, From the Writing Desk, where this week, to coincide with the recent release of Summer at the French Olive Grove I am delighted to be (virtually) joining author Sophie Claire at her writing desk.

 

A bit about Sophie

Sophie Claire writes uplifting emotional stories with their heart in Provence, where she spent her childhood summers. She is half French, half Scottish, was born in Africa and growing up in England she felt she didn’t belong anywhere – except in the pages of a book. Perhaps this is why she likes to help her characters find their home; a place in the world where they can be loved for themselves.


Previously, she worked in marketing and proofreading academic papers, but writing is what she always considered her ‘real job’ and now she’s delighted to spend her days dreaming up heartwarming contemporary romance stories set in beautiful places. 

 

Find out more at her website here.

 

Your writing space

Sophie, how important is your desk space to your writing? Do you only write at your desk, or are you happy sitting anywhere?

 

Sophie: I love my messy office and desk! Oh I wish it wasn’t messy, of course, but I’m very lucky that I can disappear in there and close the door on the outside world. I work on a desktop, I have files of notes and magazine cuttings, and I like to edit on paper printouts so I’m not very mobile and my desk is where I do most of my writing. However, I do miss the pre-Covid days when, every now and then, I’d take my notebook and go and sit in a café to write for an hour. I used to find it helped if I was nervous about starting a new project or writing a tricky scene. It’s something I look forward to doing again soon hopefully.

 

Is your chair comfortable, old and slightly squishy or modern and ergonomic?

 

Sophie: Ha! I have a plain wooden kitchen chair. I used to have a grand, height-adjustable office chair but after suffering for several months from tennis elbow, I abandoned it one day and the tennis elbow vanished almost instantly. I’ve no idea how it cured it, but now I’m sticking with the kitchen chair.

 

Do you prefer to work to a deadline, and if so, do you set yourself daily or weekly targets?

 

Sophie: I hate deadlines, always have, and I write much more freely when left to my own devices, but they’re inevitable so I try to stay ahead of the game and set myself monthly targets with a couple of writing friends. I usually meet them with just days or hours to spare, which goes to show how well they work. We hold ourselves accountable, but also congratulate each other on what we’ve achieved, which is so important. 

 

Writing during Covid-19

As a writer, with a desk and computer at home, life and work would have continued for you throughout lockdown, but did the pandemic affect your writing and motivation to write?

 

Sophie: The pandemic made concentration difficult for most people, and I’m no exception. Now that we’ve got used to the situation my concentration has improved, but I’ll be honest, I’m finding the well of creativity is beginning to run dry. I’m really looking forward to meeting friends again, travelling (especially to Provence!) and living a ‘normal’ life again because these all feed into my creativity. 

 

Is there anything you have learned from living through the pandemic that you might use in future writing projects?

 

Sophie: I like to think that I’ve learned to write despite the distractions around me (I used to be alone working from home; now there are four of us). I do believe the pandemic has made us all more adaptable and I’m quite amazed by how humankind has responded. 

 

French Village Diaries From the Writing Desk interview feature Sophie Claire
Summer at the French Olive Grove by Sophie Claire


Your latest release

Your fourth novel, Summer at the French Olive Grove was released last week, can you tell us a bit about it?

 

Sophie: It’s about adventurous filmmaker, Lily Martin, who breaks her arm and must return home to France while she recuperates. She hasn’t seen her childhood crush Olivier Lacoste since the devastating fire that changed her life and they have unfinished business…

 

Summer at the French Olive Grove was actually the second book I wrote (after A Forget-Me-Not Summer) and the one that won me my agent, Megan Carroll. Although she loved it (and other agents were interested too), she wasn’t able to place it with a suitable publisher. So she pitched my next book (The Christmas Holiday) and I signed a book deal with Hodder. A couple of years later, they asked to see Summer at the French Olive Grove and I was relieved that it only needed a light edit so there wasn’t anything fundamentally wrong with the book. Sometimes you have to be in the right place at the right time, and I hope this will inspire others to keep persevering.

 

All of your books feature a little bit of Provençal magic, is this area of France a special place for you?

 

Sophie: It’s an extremely special place (and I love that you used the word ‘magic’ because that’s exactly how it feels to me). My mum is French and we spent every summer at my grandparents’ house when I was a child. They lived near Sanary, a picturesque fishing port, and I have wonderful memories of trips to the beach, visiting hilltop villages, and big family meals with delicious French cooking (my grandmother was an excellent cook).

 

Summer at the French Olive Grove takes place in the fictional seaside village of St Pierre, which is inspired by Sanary. I fictionalised it to allow me to tinker with the geography and make it less developed than it is now, but readers might recognise elements such as the pancake restaurant and the colourful fishing boats in the harbour. 

 

How would you normally celebrate the release of a new novel, and will it be different this year?

 

Sophie: Normally I’d celebrate with my writing friends, the Novelistas. We’d hold a launch party in North Wales with cake, champagne and goody bags. Sadly, that isn’t possible this year, but I’m planning to buy some delicious French patisseries (Olivier, in the book, is a master baker) and celebrate with friends and family.  

 

Life outside of writing

What do you look forward to, when you’ve saved the document and switched off the computer, as your treat at the end of the writing day?

 

Sophie: Reading time! It doesn’t always happen, but that’s what I love the most – getting wrapped up in the words of a good book, preferably in the garden on a sunny day. I also love baking, as my readers may have spotted because food always features prominently in my books. 


 

French Village Diaries From the Writing Desk interview feature Sophie Claire
Sophie Claire, reading in the garden


I know I have really missed a French café terrace, a café alongé and a spot of people watching, what aspect of normal life have you missed most in the last year?

 

Sophie: Oh yes, people watching is wonderfully inspiring and I miss sitting in cafes too. But most of all, I miss meeting up with writing friends. My Hebden Bridge group, Authors on the Edge, is releasing the third Miss Moonshine anthology (Midsummer Magic at Miss Moonshine’s Emporium) on 21 June and we’re keeping everything crossed that we’ll be able to celebrate in person. It will be so nice to catch up and talk writing! 

 

Thank you for taking the time out of your writing day to let me join you at your writing desk. 

 

Sophie: Thanks for having me, Jacqui. I love your blog and always look out for your French-themed book recommendations. 


You can read my reviews of Sophie’s books here:

Summer at the French Olive Grove

A Forget-me-not Summer

The Christmas Holiday

A Winter’s Dream

 

  

Thursday, May 27, 2021

From the Writing Desk of Jennifer Bohnet

French Village Diaries From the Writing Desk interview Jennifer Bohnet
From the Writing Desk of Jennifer Bohnet (with Django)


From the writing desk, of Jennifer Bohnet

 

Welcome to the French Village Diaries interview feature, From the Writing Desk, where to coincide with the release of Summer at the Château I am delighted to be (virtually) joining author Jennifer Bohnet at her writing desk in France. 


A bit about Jennifer



I find it hard to believe but I've lived in France now for twenty-two years. After eleven years down on the Cote d'Azur where Richard was a guardien for a villa, we moved from the Mediterranean coast to a small quirky cottage in the depths of Brittany. A bit of a culture shock to say the least! I've sold hundreds of shorts stories to the women's magazine market in the UK, Australia, Sweden, Norway, Denmark - I even had my own newspaper column in a group of local Devon papers at one time. My 16th novel Summer At The Château is published by Boldwood Books and I have another four book contract with them.

 

 

Your writing space

 

Jennifer, how important is your desk space to your writing? Is it tidy and well-organised or creatively cluttered? 

 

Jennifer: Creatively cluttered is a good phrase! It’s a large desk with my iMac computer sitting in the middle and I do try and keep it tidy and organised which is relatively easy when I’m writing a book but come the editing it becomes covered in reference books, scraps of paper and post-notes as I print out the manuscript to go through it. In this photo I’ve just finished a book and about to start the next, so it is reasonably tidy!

 

Does your desk have a view? If so, does this inspire you or distract you?

 

Jennifer: We’ve lived in our small quirky cottage up here in Brittany now for ten years and eighteen months ago we finally had the new roof we’ve needed all that time. New roof meant the bedrooms in the attic now had head room - and the smallest one is my office cum guest room. It’s a lovely light room from the new two dormer windows back and front and my desk is directly in front of the windows overlooking the front gate and garden. The view when I’m sitting is sky and the large oak tree in the garden which is fine by me and when I stand up I can see the lawn and several containers of flowers by the front drive and down towards my favourite willow tree, the pond and the chickens pecking around. 

 

Do you try and write at regular times of the day, every day?

 

Jennifer: I find the best time of day for me to write is for a couple of hours before lunch. I can answer e-mails, do promo and social media any time but I do find it hard to get words on screen in the afternoon. So after breakfast, a half hour walk with the dog followed by coffee I head for my desk with the sole aim of getting at least one thousand words written. Real life does often get in the way though, although rarely housework.

 

Writing during Covid-19

 

As a writer, with a desk and computer at home, life and work would have continued for you throughout lockdown, but did the pandemic affect your writing and motivation to write?

 

Jennifer: Definitely. Our daughter and her four children are in the UK and she has two cafes to run in Devon. Watching the pandemic unfold over there via the TV was as worrying as watching the French news. The first lockdown here was a different experience for us too, because our son and his fiancé (now his wife!) who had both finished a contract on Sea Shepherd in Mexico, returned to Europe just before everything shut down that first time and as they had nowhere to go and no income, they lived in a cabin in our garden that we hastily fitted out for them. Having them around for so many months was a bonus for us. They’ve been back over there between Mexico and Florida since September and that is a worry still.

 

Do you think living through the pandemic will influence your future writing projects?

 

Jennifer: There’s a lot of discussion about this in writing groups! Personally I have made the decision that my future books will either be set pre 2019 or after 2021 because for so many people it has been a traumatic time and if they read for escapism then reminding them of that time would maybe trigger some dark memories.

 

With a release date of 13th May 2021, was Summer at the Château your pandemic project and did having a focus help with life in lockdown? 

 

Jennifer: Summer at the Château was the new book I wrote mainly during 2020 but I also revised, tweaked, added about 20K words to One Summer in Monte Carlo which was a reissue of one of my back list, Follow your Star. They both gave me a much-needed focus during 2020.




French Village Diaries From the Writing Desk interview Jennifer Bohnet
Summer at the Château by Jennifer Bohnet

 

Your latest release

 

I’ve got used to strong independent female characters in your novels, can you introduce us to who we are going to meet in Summer at the Chateau, and tell us a bit about their story. 

 

Jennifer: Pixie Sampson is the heroine of the story - although Gwen her 83-year-old mum has her own storyline too. Almost ten years ago Pixie and her husband Frank bought a château in Brittany under the viager scheme which is popular in France. (You learn about it in the book but basically it’s a scheme that allows older people to stay in their homes without any money worries, as the new ‘owners’  pay them a ‘bouquet’ of money and then monthly payments until they either move out or they die. It’s all done legally through notaires and there is benefits for both parties.) When Frank her husband is killed in a road accident, Pixie learns that they have actually owned the château for over a year, but Frank hasn’t told her because he’s been keeping a secret from her. Pixie and Gwen go for a visit over Easter in order for Pixie to put the château on the market, but things happen, and she decides she will spend one summer there before selling it on. Needless to say, it is an eventful summer. Readers who have read A French Affair will also meet up with a character or two from that book who have cameo roles in this one.

 

How would you normally celebrate the release of a new novel, and will things a bit different for Summer at the Chateau?

 

Jennifer: In the past when I’ve had a book published in the summer, I’ve invited friends for a glass of champagne and nibbles in the garden on release day, a sort of English garden party. In the run up to May 13th when Château was published, I wasn’t sure what the ‘mixing and meeting’ rules would be like at that date, so I didn’t organise anything and Richard and I celebrated with a bottle of champagne on our own. I do plan on having a garden party to celebrate though as soon as the rules are officially relaxed for gatherings.

 

Life outside of writing

 

What do you look forward to, when you’ve saved the document and switched off the computer, as your treat at the end of the writing day?

 

Jennifer: In summer joining Richard downstairs, and sitting out on our sheltered terrace and enjoying a glass of wine. In winter it’s a cosy drink by the log fire.

 

You have set your novels in many beautiful locations in France, from Brittany in the north west to the Côte d’Azur and Monte Carlo in the south east. Where in France will you be taking us to in you next book?

 

Jennifer: At the moment the next new book will be back down somewhere in the south of France. Even in these days of Google see all maps, I need to have at least visited if not lived in the locations I write about. 

 

Thank you for taking the time out of your writing day to let me join you at your writing desk. 

 

Jennifer: Jacqui the pleasure has been mine. Thank you for inviting me.


You can read my reviews of some of Jennifer’s novels here:

Summer at the Chateau

A French Affair

One Summer in Monte Carlo

Rendez-Vous in Cannes

A Year of Taking Chances

Rosie’s Little Café on the Riviera

You Had Me at Bonjour

A French Pirouette


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